Senior Exhibition: The Ritual

duPont Gallery

February 18- February 26, 2016

Opening Reception: Wednesday, February 17, 5-7pm

Featuring: Holly Bliss, Jade Brooks, Noah Enders, Iainne Johnson, Shannon Merryman, Nicole Bethune, Nick Coladonato, Courtney Greathouse, Elizabeth Maldonato, Tanner Roe, Tara Sargent, and Meghan Shea

 

Jade Brooks, Energy (detail), 2015. Acrylic and found objects attached to canvas with thread and hot glue, 40 x 80 inches.

Jade Brooks, Energy (detail), 2015. Acrylic and found objects attached to canvas with thread and hot glue, 40 x 80 inches.

 

Film and Video: Single Screening Night

Ridderhof Martin Gallery

Wednesday, April 20th 7-8:30pm

The media works screened accompany the exhibition, Video: Shedding the Utopian Moment, held in the Ridderhof Martin Gallery.

The works that will be screened are Damnation of Faust Trilogy (video, 1983-1987) by Dara Birnbaum and Mayhem (film, 1987) by Abigail Child.

Mid-Atlantic New Painting 2016

Ridderhof Martin Gallery

Opening Reception, 5-7pm: Thursday, January 14

Juror’s Talk by Lauren Ross: Thursday, January 14, 4-5pm

Exhibition on view: January 15- February 26, 2016

The UMW Galleries is proud to host the tenth Mid-Atlantic New Painting biennial exhibition! The competition was open to artists 18 years of age and older, living in Delaware, the District of Columbia, Maryland, New Jersey, New York, Pennsylvania, Virginia, and West Virginia. Entries must have been completed within two years of the application deadline.

We received over 120 applications and will feature the work of 30 artists.

Juror: Mid Atlantic New Painting 2016 has been juried by Lauren Ross. Ross is curator of the Institute for Contemporary Art at Virginia Commonwealth University. She has served as the Nancy E. Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art in Tulsa, Oklahoma and she was Donald R. Mullen, Jr. Curator and Director of Arts Programs at Friends of the High Line in New York City. The University of Mary Washington Galleries is honored to have Ross as the Juror for our 2016 Mid-Atlantic New Painting Exhibition.

Miles Hall, Shruz, Nevada, oil on canvas

Featured Image: Miles Hall, Shruz, Nevada, 2014. Oil on wood panel, 29 x 36 inches. Image courtesy of the artist.

Participating Artists

Kristi Arnold, Mary Anne Arntzen, Kevin Brady, Bobby Coleman, Constance Culpepper, Cianne Fragione, Steve Griffin, Miles Hall, Suzy Kopf, Hanna Kozlowski-Slone, Chee-Keong Kung, Kat Lyons, Trevor Manders, Aina Nergaard-Nammack, Brittany Phillips, Kelly Queener, Meredith Raiford, Troy Richards, Jacob Rivkin, Brooke Rogers, Gwyneth Scally, Melissa Schapell, Jillian Schley, Beth Shipley, Viviane Silvera, Anthony Smith, Casey Snyder, Watson, Sarah West, Taylor White, Zach Zecha

Award Winners

Purchase Award

Trevor Manders, Trevor's Gorges, 2015. Acrylic on canvas over wood, 20 x 23 x 3.5 inches.

Trevor Manders, Trevor’s Gorges, 2015. Acrylic on canvas over wood, 20 x 23 x 3.5 inches.

Opening Reception and Juror Talk:

Awe + Wonder

duPont Gallery

Opening Reception: January 14, 5-7pm

January 15- February 7, 2016

This exhibition will coincide with a celebration of life held in the foyer of DuPont Hall on Friday, January 15 at 4:00pm.​

Awe + Wonder will feature work bequeathed to the UMW Galleries by the late Professor JeanAnn Dabb. Her collection spans her tenure at Mary Washington and is made up of both student and faculty artworks. Dr. Dabb came to UMW in 1992 after receiving her Ph.D. in Art History from the University of Michigan and was a distinguished scholar as well as teacher. In 2009, she received the Mary W. Pinschmidt award and served numerous terms as Chair of the Department of Art and Art History.

Opening Reception

 

MANP 2016 Juror’s talk: Lauren Ross

Ridderhof Martin Gallery

Thursday, January 14, 4-5pm

Mid Atlantic New Painting 2016 is juried by Lauren Ross. Ross is curator of the Institute for Contemporary Art at Virginia Commonwealth University. She has served as the Nancy E. Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art in Tulsa, Oklahoma and she was Donald R. Mullen, Jr. Curator and Director of Arts Programs at Friends of the High Line in New York City. The University of Mary Washington Galleries is honored to have Ross as the Juror for our 2016 Mid-Atlantic New Painting Exhibition.

Lauren_Ross

New Ceramics in the Old Dominion

A Survey of Virginia Ceramics Faculty

duPont Gallery

October 29- December 6, 2015

Opening Reception: Thursday, October 29, 5-7pm

For the first time, the artwork of Ceramics Faculty from nearly every college and university in Virginia will be brought together for one exhibition at the University of Mary Washington. This show represents the broad diversity of contemporary ceramics, with excellent makers working in many facets of the medium, from object sculpture and figurative work to functional vessels. The variety of forming methods, firing ranges and conceptual approaches represented highlight the incredible potential of clay while revealing the talent and skill of professors across the state. Participating artists include: Sukjin Choi, Tom Clarkson, A. Blair Clemo, Andrea Keys Connell, David Crane, Jason Hackett, Richard Hensley, Michael Hough, Mike Jabbur, Jon McMillan, Jessica Martinkosky, Richard Nickel, Virginia Pates, Adam Paulek, Debbie Quick, and Bill Schran.

 

congruence4

Jason Hackett, Congruence, 2015 ceramic, archival inkjet print, aluminum, found objects.

Exhibition Installation:

Opening Reception:

 

 

Ridderhof Martin Gallery

October 29-December 6, 2015

Opening Reception: Thursday, October 29, 5-7pm

The UMW Galleries are pleased to present “Contemporary Craft”. This exhibition aims to share with the viewer artworks that utilize traditional materials in new ways, yet maintain the hand and craftsmanship of the artist. The works presented represent classic mediums of craft: clay, glass, metal, paper, textile, and wood. Participating artists include: Jessica Calderwood, Masako Onodera, Andrew Kuebeck, Jeff Nilan, Heath Matysek-Snyder, Kerri Cushman, and Andrea Donnelly.

 

 

Eruption Cuff on model(1)

Masako Onodera, Eruption Cuff, 2007. Found objects, wool, 6″ x 6″ x 4″

Gallery Installation

Opening Reception

Contemporary Craft

Joseph DiBella: Breath That Fades Away

Ridderhof Martin Gallery

September 3-October 11, 2015

Opening Reception: September 3, 5-7pm

Artist Statement
The cloud “is the juncture of reality and the imaginary…”[1]
This body of work addresses transience, the fleeting interlude of being. It employs the image of cloud as its metaphor. Clouds are natural phenomena, indicators of weather patterns, bodies that float in the curved canopy above us, separating the Earth’s outermost field and the heavens. They are barriers, openings, symbolic bearers of foreboding and hope. Insubstantial, they nonetheless have form. They reflect and absorb light, have mass and volume, and overlap in space as any objects do. Common, ever-present, they come and go. Some are turbulent while others hover unnoticed. All are temporary and eventually fade. They are like our lives.
In his Confessions, Augustine of Hippo reflects on the mystery of time, form and the ineffable. His references to the Psalms in particular convey his thoughts about the short course of life. As in the theme of Ecclesiastes, anything whether splendid or not is impermanent and vanishes. Clouds, mists, smoke, breath and the like all fade away.
Renaissance and Mannerist paintings of split-space above and below, Baroque ceilings with their illusion of the celestial, Abstract Expressionism’s processes, American Luminism’s radiance and Japanese painting’s linearity and atmospheres have their effects on the development of these works.

[1] Damisch, Hubert, A Theory of/Cloud/Toward a History of Painting (translated by Janet Lloyd), Stanford University Press, Stanford, California, 2002, page 72.

Biography
Joseph DiBella, Distinguished Professor of Art, has taught at the University of Mary Washington in Fredericksburg, Virginia since 1977. He served as chair of the Department of Art and Art History from 1990 to 1993 and 1996 to 1999 and Director of University Galleries from 1983 to 1988. Instrumental in the establishment of the gallery program and Ridderhof Martin Gallery at Mary Washington, he was Director of University Galleries from 1983 to 1988 and Interim Director in 1989 and 1997-98. From 1994 to 2003 he was co-director of the University’s program in Urbino, Italy. He holds a BA in art history from Rutgers and MA and MFA degrees in painting from Northern Illinois University. A signature member of the National Watercolor Society and affiliated with other professional art organizations, he has exhibited in regional, national and international venues.

Opening Reception

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