Gallery Talk: Abernathy Bland and Anna Prezioso

duPont Gallery
Friday, February 23rd
12 PM
UMW Studio Art Alumni and Origin artists Anna Prezioso and Abernathy Bland will give a gallery talk on their work and lives as practicing artists. This event is free and open to the public.

About Anna: Anna Presioso is best known for her multimedia discipline, creating works that evoke a sensual and encompassing atmosphere that dictates an experience. Currently living and working in the District of Columbia, her practice continues to capture remnants of memory with fervor. Her large scale installations and mixed media work displays an overwhelming repetition of harvested mediums. This expression of vocabulary rapidly develops into the form of collage and embroidery to sounds and fragmented imagery. These all become stitched together to give the viewer a cohesive narrative from a collection of a decomposed life. Prezioso’s artwork has been exhibited in group and individual shows, such as Vilnius Academy of Arts; Forum Art Space; and Katzen Museum; as well as GlogaurAIR studios in Berlin, where she also attended as a resident. She’s been selected for several publications, including a feature for the “Artist of the Week” by ArtSee DC .

About Abernathy: Abernathy Bland is an artist, educator, designer, and writer. She is a teacher and the Art Director for SPARC Theater’s Live Art, a collaborative theater arts program for students with and without disabilities. She works as an artist mentor with Milk River Arts, a studio providing career-focused support for adult artists with disabilities.

Some of her design projects include Old Kent Road Theater and Piper McKenzie Productions in NY and Richmond Ballet in VA. She presented work in Puppet BloK! at Dixon Place with OKRT’s Make it Work! Keep Going. Her work can also be seen in the dining room design of Richmond restaurant Foo Dog. Her piece, go for it. all, is part of the Richmond mural scene. She is also an American Sign Language Interpreter.

Mid Atlantic New Painting Juror’s Talk: Kimberli Gant

Ridderhof Martin Gallery
Friday, January 26
12 PM
About Kimberli Gant: Kimberli Gant is the McKinnon Curator of Modern and Contemporary Art at the Chrysler Museum of Art. Gant served as the Mellon Doctoral Fellow in the Department of Arts of Global Africa at the Newark Museum in New Jersey, as well as the Curator of Exhibitions and Public Programs at the Museum of Contemporary African Diasporan Arts in Brooklyn, New York.

Gant will be speaking about her background and some of the projects she’s been working on, including the reinstallation of work in the Chrysler Museum’s McKinnon Galleries from the permanent collection, as well as how she thinks about work when acting as juror.

Mid Atlantic New Painting 2018 will be on view in the Ridderhof Martin Gallery from January 25- March 18th, 2018. An opening reception will be held Thursday, January 25th from 5-7 pm.

Artist Talk: Hasan Elahi

Tuesday, April 4th, 2017

5pm HCC Digital Auditorium

The UMW Department of Art and Art History presents visiting artist Hasan Elahi.

In 2002 Hasan Elahi, a Bangladeshi born American citizen, was mistakenly associated with terrorist activities, and was detained by the FBI at the Detroit airport. The FBI opened an investigation on him, and instead of resisting he started a project in self surveillance, sharing every detail of his whereabouts with the FBI and the world.
Hasan Elahi is an interdisciplinary artist whose work examines issues of surveillance, citizenship, migration, transport, and borders and frontiers. His work has been presented in numerous exhibitions at venues such as SITE Santa Fe, Centre Georges Pompidou, Sundance Film Festival, Kassel Kulturbahnhof, The Hermitage, and at the Venice Biennale. Elahi was recently invited to speak about his work at the Tate Modern, Einstein Forum, the American Association of Artificial Intelligence, the International Association of Privacy Professionals, World Economic Forum, and at TED Global. His awards include grants from the Creative Capital Foundation, Art Matters Foundation, and a Ford Foundation/Phillip Morris National Fellowship. His work is frequently in the media and has been covered by The New York Times, Forbes, Wired, CNN, ABC, CBS, NPR, and has appeared on Al Jazeera, Fox News, and on The Colbert Report. He is currently Associate Professor of Art at University of Maryland and from 2011 to 2014 was Director of Design | Cultures + Creativity in the Honors College. In 2010, he was an Alpert/MacDowell Fellow and in 2009, was Resident Faculty at Skowhegan School of Painting and Sculpture.
Website:

http://elahi.umd.edu

Lecture by Dr. Leo Mazow: Defining American Modernisms

February 2, 2017

6-7pm

Hurley Convergence Center, Digital Auditorium

Dr. Leo G. Mazow, Louise B. and J. Harwood Cochrane Curator of American Art at the Virginia Museum of Fine Arts will give a lecture entitled, “Defining American Modernisms.” The lecture is in association with  the exhibition American Perspectives on Modernism on view in the Ridderhof Martin Gallery.

Dr. Mazow has been at the VMFA since 2016. A specialist in nineteenth- and twentieth-century American painting and cultural history, he received his PhD at the University of North Carolina at Chapel Hill. From 2010 through 2016 he was an associate professor of art history at the University of Arkansas in Fayetteville. From 2002 through 2010 he was curator of American art at the Palmer Museum of Art at Penn State University.

Among the exhibitions and accompanying publications he organized there are Picturing the Banjo; Taxing Visions: Financial Episodes in Late Nineteenth-Century American Art; and Shallow Creek: Thomas Hart Benton and American Waterways. His book Thomas Hart Benton and the American Sound was awarded the 2013 Eldredge Prize for Distinguished Scholarship in American Art, presented by the Smithsonian American Art Museum. Mazow has published articles on Edward Hopper, Regionalism, New York Dada, and American landscape painting in such journals as Art Bulletin, American Art, and Winterthur Portfolio. In 2015 he held a Paul Mellon Senior Visiting Fellowship at the Center for Advanced Study in the Visual Arts at the National Gallery of Art, where he worked on his book project, Hopper’s Hotels, which will also be the subject of his first exhibition project at the Virginia Museum of Fine Arts.

Bus Trip 2016: Richmond

Destination: Virginia Museum of Fine Arts and the Black History Museum and Cultural Center of Virginia

Saturday, November 5, 2016

Sign up and travel fee due by Nov. 1

Non-Members: $50

Members: $40

Students: $20

Please join the UMW Galleries for our annual bus trip! This year, we will be going to two important art and cultural institutions in Richmond, Virginia: The Virginia Museum of Fine Arts and the Black History Museum and Cultural Center of Virginia.

Please reserve your spot on the trip early as space is limited! Email umwgalleries@gmail.com or call the UMW Galleries at 540.654.1013
Included in the price of the trip: transportation, breakfast, and admission fees. Become a member today!

ABOUT

The Virginia Museum of Fine Arts

Featured exhibit: Fabergé and Russian Decorative Arts Collection

After an international tour, VMFA’s renowned collection of Fabergé returns to the museum this fall. Five new galleries have been prepared to showcase 280 Fabergé objects and other Russian decorative arts. The galleries feature both innovative displays and a range of interactive components designed to inform, engage, and delight.

Since 1947, when Lillian Thomas Pratt donated a large selection of Fabergé objects to the museum, they have continued to enchant visitors. This spectacular Fabergé collection—the largest public collection outside of Russia—includes five of the 52 Russian imperial Easter eggs created by the St. Petersburg firm led by jeweler Karl Fabergé (1846–1920).

Read more at https://vmfa.museum/exhibitions/exhibitions/faberge-and-russian-decorative-arts/#RmLJkGha84gqPSRM.99

Black History Museum and Cultural Center of Virginia

The Black History Museum and Cultural Center of Virginia was founded in 1981 by Carroll Anderson, Sr. In 1991, the Museum was opened to the public at 00 Clay Street, in the historic Jackson Ward district of Richmond.

The house, built in 1832 by German descendant Adolph Dill, incorporates both the Federal and Greek Revival architectural styles. Under the leadership of Maggie L. Walker, the country’s first female and Black bank president, the Council of Colored Women purchased the house in 1922. In 1932, it became the Black branch of the Richmond Public Library and was named in honor of Rosa D. Bowser, the first Black female school teacher in Richmond.

In the spring of 2016, the Museum adopted a new location—the Leigh Street Armory. Prior to being the new home of the Museum, the Leigh Street Armory had endured a fire and decades of neglect and abandonment. In 1981, the city declared the armory as surplus property. As a result, the building remained padlocked until 2002. However, a grant from Save America’s Treasures, a national historical site preservation program, agreed to fund the armory’s rehabilitation. The structure had some of its exterior brickwork redone, new floors and a roof installed and was soon up-and-running once again.

The Museum seeks to become a permanent repository for visual, oral and written records and artifacts commemorating the lives and accomplishments of Blacks in Virginia. Our goal is to become a statewide resource on the many facets of Black history through exhibitions, discussions and celebrations.

The Museum collects documents, limited editions, prints, art and photographs for use in its Black History Archives program. This program will be of major significance because of the scarcity of written records on the Black experience.

Featured Exhibit: Romare Bearden: Vision and Activism

Recognized as one of the most creative and original visual artists of the twentieth century, Romare Bearden had a prolific and distinguished career. Your opportunity to view his incredible work is near.

Organized by The Romare Bearden Foundation, Romare Bearden: Vision and Activism, an exhibition featuring vibrant and thought-provoking collages, lithographs and more.

Read more at http://blackhistorymuseum.org/event/the-art-of-romare-bearden/

 

Drawing Session: The Horse

Ridderhof Martin Gallery (lawn)

September 16, 2016

9:30am

Love drawing but could never find the right horse? Now is your chance- come to the UMW Galleries for a rare drawing session with a live horse model and drawing instructor. This opportunity is free and open to the public but please bring your own drawing materials.

Artist’s Talk by Jon McMillan

September 15, 4-5pm

duPont Gallery

This artist’s talk is by Jon McMillan, Assistant Professor of Ceramics to accompany his solo exhibition, Confluence in the duPont Gallery.

About the Artist

Jon McMillan is an artist and educator residing in Fredericksburg, Virginia, where he is an Assistant Professor of Ceramics at the University of Mary Washington. He holds an MFA from Southern Illinois University at Edwardsville, and a BFA from James Madison University, where he also earned a minor in Art History. After undergraduate school, Jon worked for seven years as a full time studio potter before pursuing his Master’s degree. Currently, he makes functional and sculptural ceramic artwork, both of which are exhibited widely. Highlights include recent solo shows at Tennessee Tech University, Mary Baldwin College, and Luniverre Gallery in Cordes Sur Ciel, France. Jon was a finalist for the Zanesville Prize for Contemporary Ceramics and was awarded “Best In Show” at the 2013 Strictly Functional Pottery National Exhibition, among other honors.

Integrate, 2016, Stoneware with multiple glaze firings, 18x11x11"

Integrate, 2016, Stoneware with multiple glaze firings, 18x11x11″